Contact β About. Label Focus. I must admit it is deafeningly loud, but that is to be expected. The London based set designer has seen a rapidly rising career trajectory over the past few years. Having worked with an ever expanding list of fashions most exciting clients such as Kenzo, Christopher Kane, Louis Vuitton and collaborating with photographers such as Alasdair McLellan, Tyrone Lebon and Daniel Sannwald we thought it was only fitting that we sat down and had a conversation with the man himself.
Please say hello to the charming Mr. Robert Storey. Do you have much planned? How was your day? Feel free to jump up at any stage. Hows Melbourne?
Yeah good, the weather keeps switching from super hot to raining. Kind of European in a way. How did the shoot with Scandebergs go? It was good. Really straight forward, they just came and took some photos. It was really lo-fi, in a nice way. Do you like having your photo taken? Is the show with Quentin Jones going well? I thought it'd be good but it was better than I imagined. We've had loads of really good press and my Instagram is going crazy, people are tweeting and spamming it constantly.
How did the collaboration come about? She was in conversation with The Vinyl Factory ready to do some kind of show. The space they offered her was this really incredible, massive car park. It was an obvious collaboration for us.
So, you stepped out on your own quite early on. I do think that starting really young was definitely a blessing and a curse because I had to learn the hard way with everything that I did, rather than learn from someone else's mistakes or learn on someone else's time and money.
