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Deadline for applications is Tuesday 18 February to attend our free art-writing course, in collaboration with Bergen Kunsthall and Office for Contemporary Art Norway. Then, suddenly, I stopped and said: I want to make something that pleases myself.
But I do think there is still a link to my earlier work, perhaps the fact that, even then, the forms were not always driven by utility. I wanted to make affordable, useful things for all, but nobody wanted them.
Was there no interest even after the Second World War? Janette Laverriere, Design for a coffee table in wood with a stone top , Courtesy: Archive Janette Laverriere. Well, the war arrived, and afterward I set off on my path and stuck to it and I found a clientele.
I worked for people who asked me to make furniture, to design a bedroom, then an apartment, and so on. But at a certain moment, during the s, I said to myself: I cannot continue doing these building projects like an architect. And then the idea came to me: I am going to make objects that serve no purpose whatsoever. And the difference lies there. In , I wanted to pay homage to him on the centenary of his birthday. So there I was in bed, thinking: I am not going to do anything useful anymore, I do not want to, I cannot, so I will do useless things.
All of sudden, a new world opened up for me. Justice is frequently unjust. The form? Courtesy: Archives Janette Laverriere. There is another aspect to this work, which is that its subject is very political. Here, an exquisite varnished rosewood box holds a mirror shaped like a cherry in reference to the immensely popular song Le Temps des cerises Cherry Blossom Time, , which was adopted by the Commune.