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Photo: J. This is achieved by means of a comprehensive analysis of a thus far marginalized artistic position. Reflection on the conditions and dynamics of transatlantic exchange provides insights into a potentially idiosyncratic survival of Surrealism and its 'dream constructs' in the USA — beyond a Modernism embodied in Abstract Expressionism, which continues to dominate the art histography of this period to this day.
The project integrates itself into the research agenda of a Global Surrealism, which aims to contour both common and unifying as well as cultural-historical and local qualities of Surrealism. Additionally, it contributes to the pluralization of Modernism and its narratives by developing and visualizing supposedly marginal or subaltern positions, in particular of women. This research project conducts an art-historical investigation and contextualization of the work of Kay Sage , an American Surrealist.
The project aims to investigate the genuinely surrealist features of Sage's artworks, her different roles in the social fabric of Surrealist artists and the different stages of her life and career path. Using the concrete example of Sage's artistic work and her personal biography, the aim is to demonstrate and investigate which shifts and expansions in perspectives developed, which aesthetic and epistemic enrichments are bestowed upon the research field of Surrealism and whether it will be possible to see other, thus far equally neglected, positions.
One further objective of the project is the systematic investigation and analysis of surrealist dream constructs within the cultural-historical context of the United States in the s and s inspired by Sage's artworks and also drawing upon other artistic positions.
Artists of the post-war Surrealism — inspired by texts written by, among others, Sigmund Freud and C. Jung, as well as by art-historical predecessor phenomena and genuine visual-artistic or art-political concerns respectively — have pushed the work on the 'dream' as a discursive and aesthetic construct. This contribution to a possibly specific American dream culture shall be explored for the first time. September Together with the Institute of Art History at the University of Giessen, the DFK Paris is organising the workshop "Forschungsfeld Surrealismus im deutschsprachigen Raum", which will give researchers the opportunity to present their ongoing projects on international Surrealism as well as project ideas on Surrealism in the German-speaking world.