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As a Β« DAWless Β» musician, I necessarily attach great importance to the ergonomics of the hardware, to the user interface. How am I going to use this? Is it practical? To these considerations is added a strong fascination for the aesthetics of analog synthesizers, which I find beautiful even when they are switched off. Sometimes I just watch them! Regardless of the function to which they are attached, the large knobs of my Moogs, which alone embody manufacturing quality and respect for the user, are the elements of my set-up where my fingers naturally want to rest.
Moog Mother32 is almost perfect. And on a weirdest side, Subharmonicon. My current set-up is a mixture of Β« serious Β» machines, like the Moogs or the Korg MS20 , and synths that are a little more cheap, but have very endearing sounds, Volcas or Stylophones , and also weird and wonderful instruments like the GechoLoopsynth from Phonicbloom or Diddley Bow from Syro Instruments.
I must say that the portable aspect is a criterion of choice because I really like playing outdoors. In concert, it depends of course on the set-list, but in general the base is constituted by the Mininova , Mother32 and the MS The only limits I want to push back are those of my imagination.
I remember an old Boss E drum machine. The sound was horrible, but she was funny. I still sometimes find it hard to believe⦠But in the end, even such a small synthesizer of this price can provide a lot of satisfaction!
Today I only use it for outdoor jamming, but I must admit that it was very important in my journey towards analog synthesis. Currently, when I compose, everything often starts from a loop played on the Moog Mother3 2. I built my set-up gradually, both adapting it to my needs, but also letting myself be surprised by diverting the instruments from their favorite fields.