Halfway through your show, you are dressed as a vagina. What was going on in your head at that moment? I was like, should I stop? I tried to tell them. They came in at a moment in the song where I could say, no, this is not child appropriate. And then they slowly sat down and I said, no, you need to exit. And I just continued with the song because I was like, well, you know, maybe they thought that was part of the song. Every other show has been like at least 11 or 12 people, like every other show, has been like a great crowd.
The other two people in the audience were great. Does that help with your own comfort level when there are smaller audiences?
It kind of throws them off guard. Because my show is very in your face, but if you if you address someone by name, it closes the gap of distance between you. Most of the new material is about Sal, the sugar daddy for whom the show is named.
Like, literally the only reason I could afford it was because of Sal. What made you decide to add on to the end of the original show, adding in your experiences with your sugar daddy, rather than inflate it from the inside of what was already there? I think last year at the end… I wanted to try to forgive myself, but then afterwards, I still had sex with married men.
I was still doing my pattern. I still had sex with married man after that show. And then Sal came along and he sort of like, shook me out of this habit I formed. And it felt like a much more natural bookend to the rest of the show. There are so many different levels of sincerity in the show. The first stuff is a little distant. It feels like me telling a friend about what is happening.
