Nineteen used, untuned guitars, steel construction, motor, 4. Ink, oil crayon, acrylic paint, pastel, pencil on paper x cm. Sloterdijk , Ditone print, pencil, leaf gold on paper.
Christian Jankowski Magic Numbers , 6 C-prints, passepartouts with silk sceen prints. Salz und Pfeffer Salt and Pepper , Chess floor, Das siebente Siegel Ingmar Bergman. The Seventh Seal Ingmar Bergman , Morgen ist nicht heute RRS. Tomorrow isn't today RRS , Heute ist nicht morgen RRS. Today isn't tomorrow RRS , Die Schachspielerin The chess player , Kings of Convenience, And your mind is moving low β Go ask Alicja Jefferson Airplane , Goodbye Madonna , Let's do it a Dada , Wie der schwarze Springer im Spiel der Spiele E.
Der Tod ist ein Dandy. Like the black knight in the game of games E. Death is a Dandy , This email address is being protected from spambots. You need JavaScript enabled to view it. Hatje Cantz, Ostfildern English 80 pp. June 11 β September 18, Here, once again, is an encounter of two artists who, one may be inclined to think, could not be more different. Yet, a notorious person once said collaboration is when you mull over art or attitudes or monkeys and butterflies; that you call collaboration.
Jonas Lipps's drawings and watercolours are, almost without exception, in a small or very small format. In a spirit of colourful painterly exuberance or graphical grace, he gives expression to worlds that could be considered poetic, if only one could ignore their subject matter.
Frisking, mischievous wolves in sheep's clothing. The observer is easily deceived by the charm of the medium, the cheeriness of the colours and the familiarity of the comic-like style. Lipps paints delightfully beautiful pictures featuring strange, absurd, indeed "ugly" motifs just as easily as he is capable of painting "ugly" pictures, small "bad paintings", but with spirit.
